For the past three decades Scott Wilson’s music and sound art has explored the intersection of a variety of different and sometimes contradictory practices, combining aspects of instrumental/vocal composition, field recording, immersive multichannel electroacoustic sound and visuals, cross-cultural collaboration, live coding and improvisation.He has been an active developer of the SuperCollider language, and was the lead editor of The SuperCollider Book, published by MIT Press. Also active as an educator and mentor for young artists, he is the co-director of Birmingham ElectroAcoustic Sound Theatre and teaches at the University of Birmingham in the U.K.
Active developer of the SuperCollider language
Lead editor of The SuperCollider Book, published by MIT Press
Co-director of Birmingham ElectroAcoustic Sound Theatre
Teacher at the University of Birmingham in the U.K.